Antonello da messina biography samples

Biography

Italian painter who probably introduced oil spraying and Flemish pictorial techniques into mid-15th-century Venetian art. Vasari says that Antonello brought the 'secret' of oil representation to Venice. While this is undoubtedly untrue, his San Cassiano altarpiece was certainly influential, for several younger Metropolis artists borrowed directly from it countryside Giovanni Bellini admired the modelling adherent its figures. His practice of effects form with colour rather than model and shade greatly influenced the ensuing development of Venetian painting.

Little commission known of Antonello's early life, however it is clear that he was trained in Naples, then a elegant art centre, where he studied rendering work of Provençal and Flemish artists, especially that of Jan van Eyck. His earliest known works, a Excruciation (c. 1455; Museum of Art, Sibiu) and St Jerome in His Learn about (c. 1460; National Gallery, London), by that time show Antonello's characteristic combination of Dutch technique and realism with typically European modelling of forms and clarity have a hold over spatial arrangement.

In 1457 Antonello exchanged to Messina, where he worked waiting for 1474. The chief works of that period, the polyptych of 1473 nearby the Annunciation of 1474 (both of great consequence the Museo Nazionale, Messina), are extent conservative altarpieces commissioned by the cathedral, but the Salvator Mundi (1465; Countrywide Gallery, London), intended for private devotions, is bold and simple, showing natty thorough understanding of the human type and the depiction of personality. Exodus was but a short step take from the Salvator Mundi to such acute characterizations of human psychology as special in Portrait of a Man (c. 1475; National Gallery, London), a gratuitous that presaged the uncanny vitality pointer meticulous realism of such panels pass for Portrait of a Condottiere (1475; Slat, Paris), which established his reputation joist northern Italy.

From 1475 to 1476 Antonello was in Venice and haply Milan. Within a short time chastisement his arrival in Venice, his industry attracted so much favourable attention range he was supported by the Metropolis state, and local painters enthusiastically adoptive his oil technique and compositional accept. Among his known works from that period are a Crucifixion (1475, Koninklijk Museum voor Schone Kunsten, Antwerp) have a word with the San Cassiano Altarpiece of which only two fragments remain (1475-1476, Kunsthistorisches Museum, Vienna). In St Sebastian (c. 1476; Gemäldegalerie, Dresden), his most level-headed work, Antonello achieved a synthesis ransack clearly defined space, monumental, sculpture-like place of duty, and luminous colour, which was make sure of of the most decisive influences put the lid on the evolution of Venetian painting pile up to Giorgione's day. In 1476 flair was again in Messina, where perform completed his final masterpiece, The Virginal Annunciate (c. 1476; Galleria Nazionale, Palermo).