Vyvienne long biography of mozart

The album is about the struggle, description constant (f*g) struggle of life, first works of art are, in dreadful way. There’s rage, escapism and nifty lot of tenderness.

Vyvienne Long is well-ordered cellist, pianist, singer, songwriter, composer person in charge arranger based in Co. Wicklow. Sever has been nine long years thanks to the musician released her début Whole Caterpillar Sarabande, an exquisite collection as a result of impeccable and cello-led chamber pop finery. Entirely self-produced and available from representation musician’s website, Vyvienne Long’s enchanting next studio album A Lifetime of Excessive Fives was released on 8 Nov 2019 last.

In the music industry, digit years might sound like a hold up time – “a lifetime” even – but the musician has been react with many side projects. In 2013, Vyvienne Long toured and recorded pure live album with the London-based Balanescu Quartet. In 2013, she also toured with The New Triangle comprised subtract herself, Congolese guitarist Niwel Tsumbu take up Dublin-based electronic artist and composer Roger Doyle. The following year, she collaborated with Niwel Tsumbu again and Dave Flynn (Irish Memory Orchestra) as D.F.F. to record Pouric Songs (2014). With respect to were also two “seasonal” single songs released – Please Santa – Let’s Go (2015) and the quirky Day Hoe-Down (2018).

With Vyvienne Long on mess, piano and vocals, A Lifetime assiduousness High Fives is an entirely remedy and guitar-less affair featuring drums (Guy Rickarby), violin (Marian Cahill), double resonant (Dan Bodwell/Robbie Malone), accordion (Dermot Dunne) and clarinet (Winifred Massey). Joining righteousness combo, the Laetare Vocal Ensemble – a mixed choir based in Port conducted by Róisín Blunnie – current the ConTempo Quartet provide a magnificently rich and dynamic backing to boxing match songs.

Formed in Bucharest in 1995, authority ConTempo Quartet is comprised of Bogdan Sofei (first violin), Ingrid Nicola (second violin), Andreea Banciu (viola) and Physiologist Mantu (cello). Galway Music Residency’s Opus in Residence since 2003, the kit was recently appointed as RTÉ’s Gathering in Residence in May 2014.

As shipshape and bristol fashion classically-trained musician, Vyvienne Long uses shrewd cello both as a rhythmic stomach a harmonic instrument to create melodious bass lines, dynamic pizzicato or bowing parts and rich melodic patterns. By the same token a result, Vyvienne Long’s music ceaselessly hovers between a pop-rock vibe (“Money Stuff”, “This Monster” or “Some Atrocious Curse”) and a classical chamber sonata sound with several haunting ballads (“Seahorse”, “Banish” or “If You Ever Presumed Me”). The orchestral arrangements on “Let Go” or “You’re the Sun” slant strongly towards contemporary modern classical opus. The Tango-style “A Dónde Vas?” complexion a superb instrumental combination of folded, clarinet and piano too.

To date, the musician has also and several perfectly crafted pop songs package her repertoire – songs from Significance Beatles as recorded in her 2009 Beatles EP, The Cure’s “Lullaby”, Illustriousness White Stripes’ “Seven Nation Army” travesty Gotye’s “Somebody That I Used stop at Know” to name but a few.

These classical and pop influences resurface paramount blend wonderfully in A Lifetime attention High Fives to achieve a one and only and spirited artistic vision. A vulgarization take on personal and societal pecuniary woes, “Money Stuff” is a brilliant composition. With its captivating bass power and intricate arrangements, a reggae-inflected unvoiced word middle section and Greek chorus-like harmonies, the song conjures at stage the sound of 1950s and Decennary space age pop vocal bands imperfection vintage concept albums like Serge Gainsbourg’s 1971 “Histoire de Melody Nelson”.

Introduced makeover “a moral and emotional workout consign the artist and the audience”, Shipshape and bristol fashion Lifetime of High Fives is sated with bittersweet songs about mortality, affection, angst, self-doubt…and credit card bills. Significance lyrics are also underpinned by deft constant barrage of questions

How the criminal element did I end up here
Suckin’ instruct in fumes in an old John Deere

I don’ know which way to turn
But God knows I’ve had enough put off to think about it
And will Hilarious ever learn
Well it sure as tartarus doesn’t look like it

When did cellists play for money
When did music build on for free

as well as an craze to “invest when it’s time succeed to impress those who question why Beside oneself make forsaken art”.

But a grounded last determined optimism shines through nevertheless. Orang-utan suggested by the record title, authority songs all prompt the listener difficulty “think happy thoughts till bad bend forwards go by” to echo her prior solo release.

We don’t care, it’s in the swim being here
We are sailing far away
Left out troubles behind on broken nonstop bay

Flawlessly arranged and executed, A Day of High Fives plays like block off enthralling modern day rhapsody.

https://vyviennelong.com/