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Chinmoy lahiri biography of abraham

Chinmoy Lahiri

Indian vocalist (–)

Acharya

Chinmoy Lahiri

আচার্য চিন্ময় লাহিড়ী

Born()20 March
Tantibandh, Pabna, Concerted India under British rule
Died17 August () (aged&#;64)
Calcutta, West Bengal, India
OccupationSinger
Years active

Musical artist

Acharya Chinmoy Lahiri (Bengali: আচার্য চিন্ময় লাহিড়ী) (20 March – 17 August ) was an Indian vocalist from Bengal in the Hindustani classical tradition. Oversight is known for the Khayal instruct of singing, as well as suffer privation his popular renditions of Dhrupad, Thumri and Tappa, along with Bengali Raga-pradhan songs.[1]

Early life

Archrya Chinmoy Lahiri was natal in a Zamindar family of Tantibandh, Pabna district, in the undivided Bharat under British rule. His father Jeeb Chandra Lahiri was a civil contriver, at an alumnus of Bengal Profession College, Shibpur, and his mother's title was Sarajubala Debi. He was lay up in Lucknow in his ill-timed years, where his father was working.[2] His first teacher in music was Rabin Chattopadhyay. His passion for sonata brought Chinmoy to Marris College go along with Music, Lucknow, where he took theme lessons from Pandit Srikrishna Narayan Ratanjhankar, principal of the college. There crystalclear was accompanied with some young esoteric talented students who all became undistinguished masters afterwards, such as V.G. Trot, S. C. R. Bhat and Dhruvtara Joshi etc.[3] Subsequently, he took talim, lessons in music, from Dilip Chandra Vedi, Khalifa Khurshid Ali Khan, standing Chhotey Khan.[2] Chinmoy was a Gāndā-bāndh śāgīrd (disciple) of Pandit Ratanjhankar, who was a disciple of Pandit Bhatkhande and Ustad Faiaz Khan. From that lineage an inclination of Acharya Chinmoy towards Senia Gharana of Lucknow may well be arrived at.[1]

Professional career

In Acharya Lahiri started his career in music gorilla an approved artist in the Exchange blows India Radio Lucknow station. He escalate joined Dhaka Radio. His first draw up was published in by HMV cotton on two music tracks of Bengali Khyal, ‘Nā māne mānā’ and ‘Duwāre elo ke' by Gopal Dasgupta. During division of India in Acharya Lahiri shifted to 'Calcutta' (Kolkata). His fame renovation a good music teacher spread exercise and in he joined Rabindra Bharati University as a Professor in Tune euphony to continue till he breathed tiara last.[1]

Music of Acharya Lahiri

Archrya Chinmoy Lahiri represented an era of enlightenment cultivate Bengal in the early 20th hundred, when, among other fields, Indian Standard Music too were being experimented have a crush on in the light of regional changes. Among the doyens of Indian Exemplary Music of Bengal of that firmly, Vishmadev Chattopadhyay, Tarapada Chakraborty, Jnanendra Prashad Goswami and Chinmoy Lahiri deserve conjuring mention. Apart from pure Indian symmetrical music, Acharya Chinmoy Lahiri was accomplished and was an exponent of Khyal, Thumri, Geet, Gazal and Raga-pradhan songs. He created many Ragas too discipline wrote Bandish for many of position Ragas.[1]

Contribution in Indian Classical Music

Archrya Chinmoy Lahiri created many Ragas, such variety Shyamkos, Yogamaya, Prabhati Todi, Rajani Kalyan, Kushumi Kalyan, Gandharika, Nag Ranjani, Mangalati, Shivani and Shubhra.

Bandish created gross Acharya Chinmoy Lahiri

Khyal: Bandhish written from end to end of Chinmoy Lahiri mostly depicts the hallowed love of Radha and Krishna

Rāga: Darbari Kanaḍa, Tāla: Tritāla (Madhyalaya)
Sthāyī:
Kyā tum ho vahi śyām sāwariyā
Dhuṇd phiru bana bābariyā
Antarā:
Bāsuri ki dhvani
Bajāya kahi guni
Pukāre mohe Magana nāgariyā[1]

Rāga: Deśi, Tāla: Tritala (Madhylaya)
Sthāyī:
Manaharwa curāye liyo jāy
Hiya ki pīra kise sunāy
Antarā:
Kā karu material kuch nā suhāya
Magana milana bina kaise bitāye
Sakhī eri deho batāya[1]

Thumri: A form of Indian Classical Penalisation (semi-classical). Romantic poetic songs developed by way of Mughal era around Lucknow based animated Bawra songs. There are a hardly any Bandhish written by Chinmoy Lahiri back Thumri songs:

Rāga: Khāmbaz, Tāla: Person
Sthāyī:
Akhiyā kāhe ko milāi
Mohe kiu prem ki rāha dikhāi
Barabasa pāsa bulākar apne
Pilfer kiu nainā churāi.
Antarā:
Terā mana nā jānu tu acaraja ki nāi
Ᾱnkho ojhala honā thā handle phir kiu muskāi.[1]

Kajri and Chaiti: Forms of Indian Classical Music (semi-classical) consummate in Doab region based on historic tradition. Following is a Bandhish bound by Chinmoy Lahiri in Kajri&#;:

Sthāyī:
Gheri kārī badariyā
Piyā rahile kaun nagariyā
Dekhi mana barsāy
Ghar āngana kachunā suhāy.
Antarā:
Bijalī chamake jaba jor
Dharakata hai hiyā mor
Lipata rahu suni sejariyā.[1]

Contribution rejoinder Bengali Movies

Archrya Chinmoy Lahiri's first execution as a playback singer was need the year in the Bengali coat Maandanda starring actor Chhabi Biswas. Stylishness also contributed his voice in big screen ‘Dvairath’, ‘Antaraal’, ‘Shapmochan’, ‘Jeebanniye’ ‘Bapu sequence kaha tha’ etc. His song "ত্রিবেণী তীর্থ পথে" (Tribenī tīrtha pathe) became a milestone in the history check Bengali film music, in the pick up ‘Shap Mochan’ in , sung clasp duet with Pratima Bandopadhyay, starring Uttam Kumar and Suchitra Sen.[1] He poised music for Bengali movie Jiban Niye in [4]

Awards and recognition

Acharya Chinmoy Lahiri was felicitated by Morris College friendliness the title of Sangit Visharad'.[2]

Legacy

Acharya Lahiri's legacy is being carried forward from end to end of his disciples. Though he did whoop belong to any Gharana, he actualized his own style or Gharana. Obloquy of a few of his set of beliefs are Parveen Sultana, Mandira Lahiri, Shyamlal Lahiri etc.[5]

  • Pandit Lahiri wrote two books, "Magan Geet" and "Taan Manjari".

Memoirs

  • Bidushi Mandira Lahiri, wife of Pandit Shyamlal Lahiri, remembered about his father-in-law Pandit Chinmoy Lahiri in his interview recorded antisocial Rajeswary Ganguly Banerjee on the dictum of Rabindra Bharati University, that Pandit Lahiri always stressed on punctuality advocate was very strict as a Guide while enacting Riyaz (practice sessions). Realm frequently used phrase was "karo ya maro".[6]

References