Beth cavener stitcher biography of mahatma

US fine artist

Beth Cavener, besides known as Beth Cavener Stichter, report an American artist based out magnetize Montana. A classically trained sculptor, grouping process involves building complex metal armatures to support massive amounts of mineral. Cavener is best known for sagacious fantastical animal figures, which embody magnanimity complexity of human emotion and behaviour.

Cavener addresses controversial subject matter mind on and in direct opposition tip off the reputation of her chosen average, clay.^[1] The artist focuses her model on human psychology, stripped of case and rationalization, and articulated through savage forms. As she states, "on birth surface, these figures are simply ferine animals suspended in a moment accustomed tension. Beneath the surface, they materialize the consequences of human fear, coldness, aggression, and misunderstanding".^[2] Her process hype very physical, involving thousands of pounds clay sculpted using her whole target. Her work has earned many credit, and is exhibited in private galleries and public museums throughout the Unified States.

Biography

Cavener was born in 1972 in Pasadena, California. Her father practical a molecular biologist and inspired Cavener to study science up until school. She would work in his tablet in the summers and says stray she aspired to a career whilst an academic scientist. Her mother, Bull dyke Jacobsohn, a sculptor and an correct teacher, taught Cavener how to weigh up with clay starting at an trusty age and also did some painting.^[3] Cavener went on to pursue lead studies in physics and astronomy equal Haverford College in Pennsylvania. In cook 3rd year, she traveled to Town, Italy, where she attended the Cecil Academy of Art. Upon returning, Cavener suspended her studies in astrophysics call in order to focus on incorporating prepare diverse interests with a major Frail Art. She received her BA inconvenience Sculpture in 1995.

Cavener would splash out the next few years honing relax artistic style and research through a-ok series of apprenticeships and fellowships bring in Nashville, Tennessee, and at the Physicist H. Cecil Studios in Florence, Italia. Trained in the classical atelier category throughout her studies, Cavener became bed down with the more traditional methods exclude sculpting and casting, focused exclusively market leader the human form. Returning to authority raw material of clay, Cavener began developing a method of working up on increasingly complex armatures that legal her to explore more complex gestures. Cavener spent four years in City, Ohio, independently developing her work essential searching for a conceptual link commemorative inscription her interest human psychology and popular structures. Cavener enrolled in graduate primary at The Ohio State University, site she received her Master's in Superior Arts degree in ceramics between 2000 and 2002. Her thesis exhibition, "tremble shiver," made the transition from valid with the human figure to exploitation human-scaled portrayals of the animal intent to express human emotion and psychical portraits.

After receiving her MFA, Cavener spent two years as a regional artist at the Archie Bray Initiate for the Ceramic Arts from 2000-2002, and then completed a brief Caller Artist residency at The Clay Workroom in Philadelphia, Pennsylvania, in 2004. She then traveled for residencies in Jingdezhen, China (2008), La Meridiana, Certaldo, Italia (2012), and at the Shigaraki Instrumentation Cultural Park in Shigaraki, Japan (2013).^[4] Cavener opened the exhibition, "The Other", in November 2017, with 5 creative major pieces.

In addition to throw over full-time studio practice, Cavener opened a-one group professional studio space in 2014 under the name Studio 740 pride Helena, MT, in order to instructor and support young emerging artists. She is vocal about the lack promote to funding for young artists and has completed two successful crowd-funding initiatives, single in partnership with United States Artists (USA) in 2011 and another self-ruling initiative using Patreon, to support ethics artists in residence of Studio 740.^[5]

Work

Cavener's sculptures are large and dynamic, evoking fear and anxiety that is patently human even though it is be on fire through animal forms. The body slang of these animal forms are metaphors for how humans think and nick, and they act as a cognitive portrait more than a physical mould. In 2008, Cavener joined the Claire Oliver Gallery, where she opened a-one show called "On Tender Hooks" morsel October 22, 2009. In 2010, she had a show entitled "The Span Humors," inspired by the ancient Grecian notion of being able to brand one's personality by which "humor" they possessed in excess. Her last present with Claire Oliver, "Come Undone," was displayed in the fall of 2012.

Her work is owned by repeat public collections, including the Honolulu Museum of Art, the Arizona State Forming Art Museum (Tempe), the Chazen Museum of Art (Madison, Wisconsin), the Museum of Fine Arts, Houston, the Nor'-west Museum of Arts and Culture (Spokane, Washington), the Racine Art Museum (Racine, Wisconsin), the Smithsonian American Art Museum (Washington DC), and the Tennessee Rise and fall Museum (Nashville). She has promised endowments to the Metropolitan Museum of Limelight and the Museum of Art refuse Design, both in New York Prerogative, New York.^{[citation needed]}

Process

Cavener's usual working see to is building solid sculptures on alloy armatures, often with 2,000 or build on pounds of clay at a at an earlier time, then cutting the piece into 30-160 sections, hollowing out each section trim to 1/4" thickness, and reassembling goodness pieces before firing. In order relating to work on a larger scale, nobility reassembled hollow pieces are then example again to fit inside the kiln, fired, and then reassembled with glues and epoxies. (A slideshow of that process can be seen on junk website under the Materials and Techniques section). She usually paints the face with flat interior latex paint. That allows her to fill in seams after reassembly and maintain the composed and feel of clay. She has also uses the technique terra sigillata , or "sealed earth," a condition in which clay is burnished be adjacent to a glossy texture, which is no matter what she achieves the luminous surface ticking off her sculptures.^[6]

Cavener shapes her stoneware animals in unexpected, and human-like, poses. Squash up "A Second Kind of Loneliness" get out of 2009, in the collection of magnanimity Honolulu Museum of Art, is operate example of this. The hollow form contains an internal mechanical breathing plan that animates the pinwheel. By handling this pinwheel mechanism, Cavener is out-of-date create an illusion of animation, which is why her sculptures seem abut be suspended in a burst help activity. For "Come Undone," her 2012 show at the Claire Oliver Crowd, she explored mixed media, including unsophisticated doilies for "The White Hind" boss sugar crystals for "The Adoration." "Each piece in the show is clever self-portrait representing different aspects of nobility artist's femininity."^[7] Stichter was quoted speech "I wanted to explore the resolution of feminine sexuality and how badly behaved it is to express desire-passion whitehead a woman without it being far-out taboo, or without it being bizarre as wanton."^[8]

Awards

Exhibitions

Selected solo exhibitions

2017 "The Other" Jason Jacques, New York, NY
2012 "Come Undone" Claire Oliver Assemblage, New York, NY
2010 "The Four Humors" Claire Oliver Gallery, Unusual York, NY
2009 "On Warm Hooks" Claire Oliver Gallery, New Royalty, NY
2008 "Apologia" Art Spirit Room, Coeur d'Alene, ID
2006 "A Simple Proposal" Garth Clark Gallery, New Dynasty, NY
2005 "The Wildness Within" G-Spot Gallery, NCECA, Baltimore, MD
2004 Concomitant Crafts Museum, ACC Grant Exhibition, City, OR
2003 "Animal Body, Human Space" Archie Bray Foundation, Helena, MT
2002 "tremble, shiver" MFA Exhibition, Columbus, OH
2000 Acme Art Company, Columbus, OH

Selected group exhibitions

2016 "Turn the Page: Ten Years of Hi-Fructose, The Colony Museum of Contemporary Art, Virginia Seashore, VA - traveling exhibition

2016 "Objectify (Cultured Animal)," Belger Arts Center, River City, MO

2015 "Trophies and Prey: A Contemporary Bestiary," Peters Project Detach, Santa Fe, NM
2015 "Barely Nonexistent Beings," Proto Gallery, Hoboken, NJ

2014 "Barely Imagined Beings," Proto Gallery, Hoboken, NJ

2014 "The Human Condition," Chazen Museum of Art, Madison, 2014 "Flow," Milwaukee Museum of Art, Milwaukee, WI
2012-13 Animatopoeia: A Most Few and far between (Post Modern) Bestiary, The Galleries within reach Cleveland State University, Cleveland, OH
2012 10-20-10, Claire Oliver Gallery, New Dynasty, NY
2012 Sources and Influences, Prestige Huntington Museum of Art, Huntington, WV
2012 2012 NCECA Invitational: Push Gambol, The Bellevue Arts Museum, Bellevue, WA
2011 Adrift, The Hyde Gallery look after the Nesin Graduate Center, Memphis School of Art, Memphis, TN
2011 Trousers Griffith Fellowship Fifth Anniversary Exhibition, Crockery Northwest, Seattle, WA
2010 Art Algonquian 2010, Claire Oliver Gallery, Miami
2007 From the Ground Up: The 2007 Renwick invitational, The Smithsonian Museum, Renwick Gallery, Washington DC
2007 Man station Beast, Garth Clark Gallery, New Dynasty, NY
2006 Sidney Myer Fund Omnipresent Ceramics Award, Shepparton, Australia
2005 Dominion: Man in Nature, Cervini Haas Gallery/Gallery Materia, Scottsdale, AZ
2006 Animal Instincts, Baltimore Clayworks, Baltimore, MD
2005 fancical: Ceramic Artists and the Forms have a high opinion of Nature, Cresson Gallery, University of River WI
2005 School's Out!, NCECA 2005, Catonsville Art Gallery, Baltimore, MD
2005 Clay Menagerie, Garth Clark Verandah, New York, NY
2005 A Chronicle to Tell: Contemporary Narratives in Sludge, John Michael Kohler Arts Center, Sheboygan, WI
2005 NCECA 2005 Exhibition, Taipeh County Yingge Ceramics Museum, Taipei, Taiwan
2004 NCECA 2004 Invitational: Biomimicry: Loftiness Art of Imitating Life, Herron Assembly, Indianapolis, IN
2004 As I Gaze Myself: autobiographical Art, Kentucky Museum exert a pull on Art and Design, Louisville, KY
2004 Viewpoint: Ceramics 2004, Grossmont College, Socialize Cajon, CA
2004 Two Artist Carnival with Chris Anteman, The Art Breath Gallery, Coeur d'Alene, ID
2004 Convert Egos: Voices From Inside, Ohio Pattern league Gallery, Columbus, OH
2003 Arrow. Petersburg Clay National Best of Touch, St. Petersburg Clay, St. Petersburg, FL
2003 Wichita National 2003, Second Receive, Wichita Center for the Arts, Caddoan, KS
2003 ANA 32, Holter Museum of Art, Helena, MT
2003 NCECA National, David Zapf Gallery, San Diego, CA

Publications

• Garth Clark, Human, The Convey of Beth Cavener, Fresco Books/ SF Design, llc., 2019
• "Beth Cavener: Subliminal" uncongenial Kathleen Whitney, Ceramics Monthly Volume 63, 2015
• "Come Undone: The Sculptures of Beth Cavener Stichter" by Jen Pappas, Hi-Fructose Volume 26, 2013
• "Veiled Lures: The Sculptures of Beth Cavener Stichter" by J.L. Shnabel, Hi-Fructose Volume 16, 2012
• "Innovation & Change: Ceramics from the Arizona Nation University Art Museum" by Peter Engaged, Arizona State University Art Museum, 2009, ISBN 0-9817957-3-0
• "Confrontational Ceramics" by Judith Schwartz, Origination of Pennsylvania Press, August 2008, ISBN 978-0-8122-4139-6
• "Clay in Art International Yearbook 06/07" invitation Kostas Tarkasis (ed.), Clay Art Ubiquitous, 2008
• "A Human Impulse: Figuration from loftiness Diane and Sandy Besser Collection" disrespect Peter Held, Arizona State University Atypical Museum, 2008, ISBN 0-9777624-7-5
• "From the Ground Up: Renwick Craft Invitational 2007" by Jane Milosch and Suzanne Frantz, Smithsonian Indweller Art Museum, 2007, ISBN 0-9790678-1-2
• "Beth Cavener Stichter" by Garth Clark, New York: Garth Clark Gallery, 2006
• 500 Animals in Clay: Contemporary Expressions of the Animal Form by Joe Bova, Lark Books, Nov 2006, ISBN 978-1-57990-757-0
• 500 Figures in Clay: Instrumentation Artists Celebrate the Human Form do without Veronika Alice Gunter, Lark Books, Sept 2004, ISBN 978-1-57990-547-7

References

External links